The Employee by joshua schwebel
About this project

contacting Anna

Josh Schwebel <privatejosh@gmail.com> To: Lauren Wetmore <████████████████████████████████ >

dear Lauren,
I had a thought that it might be possible to write to Anna through the academia.edu website, and there is indeed a "message" option. However, I am not entirely sure what to write!
Do you have something prepared to send her?
The final option would be to ask █████████ █████ if he has a contact for her, which could work, if he knows her, but I am still hesitating.
x

Lauren Wetmore <████████████████████████████████ >

Good idea! I will give it a try!
L x


Josh Schwebel <privatejosh@gmail.com>

Thanks :)
Fingers crossed…
x

Josh Schwebel <privatejosh@gmail.com> To: Lauren Wetmore <████████████████████████████████ >

Hey Lauren,
So 2,500 words is pretty short. Can we say 3,000? 
I have been offering $600 CAD for each text. I think the timeline you suggest is fine. If we know what to expect we can start the graphic design without the final text in place, when we get there.
I am just on my way out to a Dr. appointment. When I get back I will track down a short-ish project description. We should also give her the longer-form description, and suggest a zoom meeting to fill in more information.
For the other drafts, maybe we can write abstracts of them to offer her in the meantime? I am not sure if it is appropriate to give her the semi-finished texts of the other writers.
Thoughts??
As I said, project description will come later today but I have to run now…
More soon,
and THANK YOU!
x

Josh Schwebel <privatejosh@gmail.com> To: Lauren Wetmore <████████████████████████████████ >

hi Lauren,
as promised, here is a short project description that you can use in the pitch to Anna.
I really hope she will accept!
x

The Employee was a conceptual artwork which took place between September 2020 and October 2021. The project was at once both a one-year employment contract and an artwork commenting on the precarity of cultural work by contributing to the structural support of the Forest City Gallery, an artist-run centre in London, Ontario, which, as one of Canada’s first artist-run centres, has been publicly funded for almost fifty years, yet operates by the labour of a sole staff member.

To respond to the normalized precarity of publicly-funded cultural work, conceptual artist Joshua Schwebel hired a grant-writer whose task was to write funding applications on behalf of the Forest City gallery. The delegated set of tasks comprising the artist’s project were for the Employee, Camille-Zoé Valcourt Synnott, to source, prepare and submit applications for additional financial support for the Forest City Gallery. These tasks were at once the performance of an artwork and productive work in support of the operations of the gallery. Schwebel successfully obtained project funding from the Canada Council for the Arts to hire the Employee as a delegated performer of the artwork. Any funds successfully earned by way of the project were to be incorporated into the gallery’s operating budget, and potentially used to augment its future workforce, however the project did not attain a single positive response to the funding applications submitted. The work externalized grant-writing and the administrative-economic tasks associated with the financial survival of a small regional gallery, rendering this unseen administrative work into a supplementary durational performance on the peripheries of the exhibition space.



Lauren Wetmore <████████████████████████████████ >

Thank you Josh!
This is perfect and I am happy to proceed with the notes you made in your previous email.
I am traveling in Ireland and the moment but hope to send this email to anna in the coming days.
Fingers crossed,
Lauren

Josh Schwebel <privatejosh@gmail.com>

Great! Enjoy Ireland. 
x