The Employee by joshua schwebel
About this project

checking in

Josh Schwebel <privatejosh@gmail.com> To: michelle lacombe <█████████████████ >

dear Michelle,
how are things going?
I am moving our conversation over to email for the time being, since it conforms with my archiving process. I wanted to check in if you wanted to chat, or if you have made any advances with drafting an outline for the text.
any updates about your mom?
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Michelle Lacombe <█████████████████> To: Josh Schwebel <privatejosh@gmail.com>

Hey Josh,
Good idea to get an email thread going.
I’m okay. feeling overwhelmed and distracted. My moms surgery was supposed to be today but it’s been postponed, maybe until the 20th, maybe January.
I’ve had little time to think about this. But I did get a copy of a book from sheena that I think will relate. Thesis on art and class by Ben Davis. Have you read it?
And I’m thinking about it now, on my way back from the dermatologist who told me to be less stressed. Implied with judgement that I have too many jobs. Ironic, no?
Public transit is great for thinking. I’m on it this week.
X



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Josh Schwebel <privatejosh@gmail.com>

hi Michelle,
thanks for engaging here. And, ooof, I am really sorry that you guys are still in limbo about the surgery. That is the worst!
I do have a copy of that book by Ben Davis. I think that he brings useful frameworks that need to be applied to art, ie. art rarely makes class visible, but as a whole his book is very US-centric, and I think that the issues play out differently in Canada, especially re: artist-run centres and labour. I also think that there is a liaison that needs to be made between class theory (which is based on people having stable, low-paying jobs) and contract work (based on everyone being a precarious, self-employed freelancer) (the neoliberal restructuring of class), but this is all a bit hazy since I read the book about 4 years ago.
I actually went to the opening of an exhibit that was about class here in Berlin last weekend. It was reviewed in the New York Times, of all the weird things. The exhibit felt uncomfortable, though. It was installed in a major institution instead of an artist-run space, and this made the work seem awkward, like it was a performance or exoticization of the artists' poverty. Even more because the gallery had security guards and coat check agents, like the MAC, and it felt really off-putting to see a show about class in a space that was itself oriented around preserving or protecting upper class access. Also it was in the back of the gallery behind a lavish painting exhibit, so you had to pass through all of this "legitimate" art to see the "poor" art. The lack of critical connection to the space really bothered me, but it also made me realize that my work is more about labour or working conditions than it is specifically about class, even though those obviously intersect.
anyways, just my grumpy thoughts.
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